#so i mostly want to see if people are interested so i know if i should keep going or move on to my next idea

[freezeris]

⋆⁺₊❅.🎄personal astro observations ii🎄⋆⁺₊❅.

❗️Just a heads up: I'm not a professional, just an amateur, and these are going to be largely based on my first-hand experiences and people I know. Unfortunately I've had a lot of unfavorable experiences in my earlier life, so there will be a good amount of negative points I make about some placements, but in no way does this mean I think everyone who has these will express them in this way. We all have all 12 signs in our charts, so to hate any one of the archetypes would be detrimental to one's own growth, I think. Also: I mostly use tropical astrology and the placidus house system, so most observations will be based on that.

🎄 I'm sorry Aquarius Moon/Venus, but you are not beating the allegations... 👩‍⚖️ Not to be another person getting on Aquarius Moon/Venus' ass, but them ghosting you as soon as you show too much interest in them is SO real. 😭 If you're interested in one it's probably best to let them do most of the courting/pursuing and let them set the pace.

Aquarius is also ruled by Saturn, after all, so similar to Capricorn they can be more attracted if there's an element of challenge or difficulty in making the relationship work. Although they may not be aware or willing to admit it. 😅 This is why you often see them with partners who are way older, bad boys, rebels or outcasts in some way. Taylor Swift, especially in her youth, was such a good example of this and she is an Aquarius Venus. I mean: the song "Ours" is so fitting for this placement. 😭

That being said, these people usually make for great friends. 💗 It's just hard for them to date/marry because they prefer to naturally transition from friends to lovers without making a big deal of it. Honestly you might be better off not trying to have the "what are we?" conversation if you don't want to risk having them run off to da milk store......even though they're lactose intolerant........😭

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🎄 One reason why I find the Placidus house system so interesting is because of Interceptions and duplicate houses. I have a Gemini – Sagittarius Interception in the 4H – 10H Axis, and I definitely feel as though I was "denied" the traits of these signs in my self-expression. I was actively discouraged from being too curious or questioning of the worldview the adults around me tried to instill in me. My curiousity and zest for exploration & expansion was not nurtured at all. These themes simply weren't present in my upbringing. We never even took a single trip together as family, which is such a direct way for this Interception to manifest. 😅

Interceptions happen when your Midheaven is in a sign that trines or sextiles your Ascendant, instead of doing the normal square. So if you are an Aries Rising, the "normal" layout would call for Capricorn to be your MC, but it's also possible for it to fall in Aquarius instead. (Although this particular combination is very rare and not every combination is possible.) In that case some of the house cusps will be out of order and one pair of sister signs ends up being skipped, while another gets duplicated.

🎄Staying on the topic of Midheaven: when you have it in a sign that's not "normal" for your Ascendant to be paired with, and you look at your chart in the Whole Sign System, you'll notice that it will fall either in your 9th or 11th house, instead of your 10th.

🎄I've noticed that people with their MC in the 9th are more likely to be remembered for things that happened very early in their career or life in general. They are often more associated with how they got to their current point in life, than how they are doing right now. In celebrities I often see this as the media being obsessed with the one performance or song the star delivered in their youth, but not so much caring about the projects they do later in life. 😅

This isn't me calling anyone with this placement "washed up" or saying they peak early, it's just that people are obsessed with the things these natives did earlier in their career, to the point where it can overshadow their later achievements. I have this too, so I'm in the same boat. 🥲 But the good thing about MC in the 9th House is that it's easier to lay low and maintain a good reputation. As long as you weren't involved in too many scandalous things in your youth, at least.

Some examples:

🎄Dylan & Cole Sprouse (Virgo ASC + Taurus MC) who are still most famous for starring in "The Suite Life of Zack & Cody".

🎄Uma Thurman (Virgo ASC + Taurus MC) who is most associated with her roles in Pulp Fiction and Kill Bill.

🎄Dakota Fanning (Taurus ASC + Capricorn MC), was the youngest child actor to receive a SAG nomination, and is largely associated with the roles she took very early on in her career.

🎄Lorde (Capricorn ASC + Virgo MC) released "Royals" when she was 16/17 years young and it's still her most popular single to date.

🎄Robert Pattinson, (Taurus ASC + Capricorn MC) he's most associated with his role in Twilight, even though he's been landing other big roles as well, like him taking up the mantle as the new Batman.

🎄Mariah Carey (Taurus ASC + Capricorn MC) and her most well-known singles were released decades ago.

🎄Ben Affleck (Cancer ASC + Pisces MC), the roles he's most associated with are from films in the 90s and early 2000s.

🎄Johnny Depp (Leo ASC + Aries MC), his most iconic roles are from movies made in the 90s & early 2000s.

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🎄Meanwhile people with their MC in the 11th House, I've noticed, are more likely to have a big breakthrough later in their career. Their reputation tends to shift more frequently as well. Often they are also heavily associated with philantrophy, social justice or how they revolutionized something in their field/the world in general. These natives tend to be more active and popular on social media as well, compared to MC in the 9H.

Some examples:

🎄Chris Evans (Scorpio ASC + Virgo MC) and he had his big breakthrough moment in the 2010s as Captain America, and has enjoyed a lot more popularity from that point onwards.

🎄Antony Starr (Leo ASC + Gemini MC), had been an actor for decades before he took his big role as Homelander.

🎄Ariana Grande (Capricorn ASC + Scorpio MC), of course she is still quite young and has already risen to prominence in her teens/twenties, but her fame and relevancy only seems to be increasing with every year.

🎄Margot Robbie (Cancer ASC + Taurus MC), had her big break in 2013, due to her role in Wolf of Wall Street, and has only continued to cement herself as a popular actor since. The recent Barbie Movie is what really pushed her into the Mainstream.

🎄J.K. Rowling (Aquarius ASC + Sagittarius MC), we all know by now it took her a while to have her breakthrough. Over the years she's been very vocal on social media and her reputation has changed quite a bit. She went from mostly being known as a beloved childrens book author to someone who fights transwomen with tooth and nail... Yet the Harry Potter franchise still continues to grow in popularity, because it has a broad appeal and a lot of people feel nostalgic for it, having grown up with the series.

🎄This one is not 100% confirmed, but I still wanted to bring it up: Taylor Swift (suspected to be a Scorpio ASC + Virgo MC). I personally think this makes sense for multiple reasons. Of course she's always been successful ever since her debut, but her fame only keeps increasing. Even she didn't think she was ever gonna get bigger than she was back at her first peak in 2014, but clearly that has been proven wrong when The Eras Tour rolled around. Her reputation & public reception has changed a lot over the years as well. In part this is definitely due to her strong Scorpio energy (which she would still have even if she wasn't a Scorpio Rising), but having MC in the 11th and in a mutable sign like Virgo can also add to this. She's always been very present on social media, as well. Particularly in the earlier days of her career she was fairly active on MySpace, Tumblr and Twitter.

🎄Not fully confirmed either: but Pedro Pascal said he is either a Gemini or Cancer Rising. His MC would most likely fall in Aries either way, but I'm leaning more towards him being a Gemini Rising. This would also put his MC in his 11th House in Whole Sign, and it's certainly true for him that he has only had his big break in acting less than a decade ago. His popularity only continues to skyrocket with time.

🎄Sidenote: It's VERY RARE, but sometimes it's even possible to have your MC falling in your 8th or 12th house. I know a few celebrities who have, for example, a Gemini Rising with a Capricorn Midheaven, which would fall in their 8H in Whole Signs. I wanted to give a quick acknowledgement that this is also a possibility.

🎄 Paul Mescal is the most obvious Saturn dominant man I've ever seen. All of his planets, except for Pluto & Moon, are either in Saturn-ruled signs or conjunct his Saturn. We don't know his birth time, but no matter what his chart ruler is, Saturn will always be really dominant in his chart. 🪐

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🎄Having Pluto in the 4th or Pluto square Moon could mean your Mother started out as being really controlling, and then somewhere down the line did the opposite thing and abandoned you. Or the opposite scenario happened, where she wasn't very present in the early childhood of her children, but suddenly feels the need to insert herself once they're older. A good fictional example of the latter situation would by Lyra from His Dark Materials and her Mother Marisa Coulter. Pluto rules over extremes and control (issues), so when it touches the Moon or 4th House the mother tends to act in very extreme & controlling ways.

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🎄I would recommend against dating/being close friends with someone who has their Saturn in the same modality as most of your personal planets, especially when it squares. Or rather, you might notice that when you try to, you just don't feel comfortable opening up to them in the first place.

Saturn is where we can have the highest standards and biggest insecurities, causing us to be extremely critical of people who have placements in the same modality as our Saturn.

Unfortunately most of my family members have mutable Saturns, while I'm a mutabe dominant, so I've never felt comfortable being myself with them and they never really appreciated me. For me the ideal partner would probably have a cardinal Saturn, as I only have one cardinal placement. They'd be better off not having too many fixed personal planets themselves, though, since I'm a fixed Saturn and obviously I don't want to constantly feel critical of my partner and closest friends either. 😅

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🎄I've noticed some Gemini/Mercury dominant natives really have a thing for Bees and pollinators. I knew a Gemini Sun, Virgo Rising who said they were her favorites and even got a tattoo of one. She would often try to rescue them too. 🐝

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🎄I've noticed Pisces dominants, especially Pisces Venus, tend to prefer media that is more lighthearted and family friendly. They're pretty sensitive to negative energies, so they don't usually like saturating their minds with too much dark & serious stuff. It can really weigh on them and cause nightmares. It's also probably due to being exalted in Venus, which is a planet that mostly relates to pleasant energies. So Taurus & Libra dominants could also be like this, but for Pisces it's usually more emotionally intense as a water sign.

🎄 Mars in the 9th often gets this rep of forcing their own views on others, and it for sure can manifest this way. But I will say as someone with this placement myself, that I've CONSTANTLY been on the receiving end of this treatment, but I've never actually tried to do this myself because I fucking loathe when someone does that. I notice with this placement that if you (as the 9th House Mars person) don't stand firm in your beliefs, you'll have so many mfers come at you and try to bully you into taking on their belief system. 😭 I guess this is because where your Mars sits you invite in conflict and shows of dominance the most from other people. If you're not adamant and dominant enough in your beliefs, someone else will try to dominate that area of your life for you. You really gotta say: "No I don't take criticism, fuck off! 👊💥👊💥👊💥"

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🎄 8H Suns can sometimes have a father that is considered wealthy because the Sun = Father and 8H = inheritances. However, I will say as a 8H Sun myself, my father/family has always lived pretty close to the poverty line (although it could've been worse and I'm grateful for what I did have growing up), BUT when I compare my father to his parents and siblings, he is indeed the most successful person in his family. I'd say it's the same with Moon in 8H = having a (relatively) wealthy mother. A lot of things in astrology are relative compared to the persons family and peers, so not everyone with this will be RICH rich.

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🎄 Another thing that an 8H Sun/Moon could indicate is having a parent who is often physically (sometimes emotionally) absent from the natives life. It doesn't have to be straight up abandonment, it can also show up as the parent just traveling a lot for work or spending a lot of time at work. It doesn't always have to be in the natives childhood either. Sometimes they will have their parent for most of their childhood, but then the native themself moves away to a different city or country for boarding school/college/work/other reasons and could really miss their parents because of it. Sun or Moon in the 12th can experience this too, from what I've seen. The traveling/long distance aspect would apply even more strongly to the 12th House placements.

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🎄I often see Cancer Rising & a dominant Moon in the Solar Return Chart be cited as a strong indicator for conceiving/birthing children. And that's true, but I've rarely seen people mention Venus dominance in the SR chart being an indicator of this as well.

Because when I checked when my mother gave birth to both me and my sister, she had a Taurus & Libra ASC respectively. In the Taurus Rising SR her Venus (Chart Ruler) fell in her 5th house, along with the Sun & North Node.

In the Libra Rising SR she didn't have the Chart Ruler in the 5th or 4th, but she did have Venus conjunct Jupiter, Juno & North Node (in the 9th) + Uranus in the 5th. The Moon was also conjunct IC but from the 3rd house. And indeed, my sister was not a planned addition to the family, as Uranus would suggest.

🎄Cancer & Leo are the only-children of the Zodiac. They are basically meant to be the most "selfish" signs since they are ruled by the Luminaries (Sun & Moon) which are the most egoic planets. They are also the only signs to not share a planetary ruler with any other sign, hence why I lovingly call them "only children" lol. 😂 I can't stress enough that when I say this I don't mean it as an insult. It's just what the signs and their ruling planets represent. Ego isn't all bad. Plus, that's why they have the Saturn ruled signs (Capricorn and Aquarius) as their sister signs. They're here to make sure Leo and Cancer don't become blind to their surroundings, since Saturn and Capricorn + Aquarius rule over institutions, communities and societal structure, while the Moon/Cancer and Sun/Leo are very "self" & survival based.

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🎄 If you lack a certain element or modality in your chart, you'll probably feel more attracted to people dominant in this energy as well. I have very little fire and air energy, so most of the people that felt drawn to me or that I felt drawn to were dominant in it.

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🎄Very specific, but if you have a T-square you can also find yourself attracting people who have placements in the "empty leg" sign. Basically the sign opposite to the planet that receives the squares. In my case that would be Gemini, and that's probably the sign I used to attract the most. 😂

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🎄I don't know that many Capricorn Moons, and I've never had a super close relationship with one, but those that I have known were usually really sweet to me. Maybe that's just my impression because I'm also an Earth Moon, so we trine and naturally have easy rapport. But based on all the descriptions I've read y'all made them sound so cold and scary? 😭 Well they don't seem to be with me. 😌💅 Might also be in part because they fall in my 5H. Other people's placements in your 5th house will have a hard time resisting being more open and silly around you. 🐐 🎊

I mean, apparently everyone's favorite man, Pedro Pascal, is a Capricorn Moon too. And it even squares his Sun, yet he is extremely charming and likeable (sorry but I can't not simp, I am not immune to this man 🙈).

WELL, that is it for now, folks! Thanks for reading, if you've come this far. MWAH. 🫶

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🎄dividers by dollywons🎄

[thedissonantverses]

Saying that Veilguard is belittling to the Dalish is…interesting. I’ve been told by some people they prefer that “messier” world building of the older games. Like the Dalish are getting their land back but that’s not good enough cause we didn’t see more poverty and slavery. This isn’t a solution “real” fans wanted. They wanted an elf war. I’d rather not be a real fan most days.

It’s interesting because we got a great look at their culture and having a positive but nuanced relationship to it through Bellara. Or the more challenging but still equally nuanced take with Davrin and his relationship to his clan. Both Bellara and Davrin represent the past, present, and future of Thedas and reclaim parts of their heritage. Politically the elves are in the strongest place they’ve ever been and have an abolitionist archon in charge next door. The Veiljumpers, who represent elves of all types, stood up against their would-be oppressors and got their homeland back.

This is just my opinion so ya know take it or leave it but I’m glad that elves have such a bright future ahead of them for the first time. If people want the myopic, narrow view of the Dalish from previous games where they’re mostly written around being victims of humans and the Chantry….I mean to each their own…Real indigenous peoples are more than what colonialism did to them and it was fascinating as someone who enjoys history and lives with the omnipresent specter of colonialism to see this version of the elves. It’s good world building.

Oh and you’re never going to catch me mad the elves wisened up about Solas. Or didn’t follow the Evanuris. I’m like, so happy they’re smart enough not to throw in with the “gods” that enslaved and abandoned them to the Chantry for centuries. It was also way funnier the hyper nationalist stand-ins joined Elgar’nan. Springtime for Elgar’nan and Elvhenan am I right?

[mjbarrosart]

My Dragon Prince Boards season 7, episode 705, part 1

It's time to talk about my boards for episode 705 of the last season of The Dragon Prince. I did a lot of stuff in this episode, so instead of going in order, I'll divide my work differently for this one, we will talk by group of sequences and not in order of appearance.

Let's start with the sunfire elf side of the plot. As a lot of you know, most of my work in this show was related to the Sunfire elves, and to be honest Janai and Amaya are two of my favorite characters of the show, so every chance to work with them is always a bless.

I did all the scenes of Karim talking with Amaya in this episode. It is hard to explain how I feel about Karim, he is such an idiot, but I am also kinda fond of him because I spent so many hours working on him thinking about his mannerism and motivations. I am fond of him, but I also hate him, hahahaha.

There is not a lot to say about this sequences, they are pretty straight forward. While I can understand why Karim hates humans so much, that doesn't mean he is right about it, and this hate is starting to feel like pettiness, and well fits him, he is a really petty man.

Let! Green! Say! Ass! hahahaha. Its always funny to board this kind of little jokes. I love Green and Amaya dynamics, they are such good friends, and I love how Green is always making sure that Amaya's bluntness is not coming out as "rude". But sometimes I feel he should just translate directly what Amaya is saying, because I don't think Karim deserves special considerations, haha.

That little speech Karim does about how he and Amaya are not the same was interesting to board for me. I wanted him to feel aggressive and menacing, even if his hands were tied. Like he was trying to intimidate Amaya, but she will not bend, she can see thru his BS. I wanted him to trespass into Amaya's personal space, portrait him as the bully he is. He says that his faith comes from knowledge, while the truth is that he leads using fear. Such a pathetic little man.

Another instance where is wish the rigs where able to translate between the expressions from the boards. I wanted him to spit his words trough his teeth when he says "humans are vermin, a plague", like his mouth is full of poison and hate.

But the Amaya, who is mostly motivated by making sure that Janai doesn't regrets the decision of killing her brother, does the right thing and reminds him of the fact that Miyana is pregnant, that there is a future worth to live for. Karim shows some doubts, so Amaya leaves and Miyana enters the stage.

I feel kinda bad for Miyana. I mean she deserves the punishment she got, at the end of the day she betrayed her people. But I feel bad for her, because I think that she honestly loves Karim. Imagine loving such a foolish man. And Karim can not learn a lesson, he keeps being an idiot. He is offered a second chance to be with his family, but the only thing he can see in Miyana is that she is carrying "his heir", and Miyana is right of being offended by that. But she wants to believe that he will made the right choice. And maybe for a minute Karim ponders it. I wanted him to loot vulnerable and maybe open in the final shot, so I made him kneel close to Miyana, laying his head on her belly, close to his child. We know how this will end for him, but for a moment there is maybe hope that he will change... no?

My next scene in this episode is one I am really fond of. Is the one when Terry says that the only person who can stop Claudia is her mom, and Soren is really against that idea.

First, is always fun to have a moment with Terry. I have really small ones during my work in the show, so this one was a blast. Second, I got to have another emotional Soren moment, and that is always nice, because Sores in my boy.

The back and forth of this conversation is pretty straight forward too. What was important for me was what will be the moment that will make Soren change his mind, and support the idea. So I decided to use Corvus for this.

Soren is struggling with the idea of bringing her mother back, even if that means they will have a real shot making Claudia stop. Corvus see his pain, and touch his shoulder. We talked before on how touching is a love language between this two, they don't need tons of words. Corvus is saying "I know that it's hard, but I am here with you". On my boards I had him giving Soren a little nod, they removed that for the final shot, and I think is ok. The nod is not necessary, Soren understand what Corvus means. With his support Soren can do it.

So he gathers strength and gives the drawing to Ezran. I like that in the animation stage they kept Corvus hand all the time on his shoulder. For Soren the idea of facing his mom is one full of pain and conflicted feelings, but he doesn't need to face it alone, he has Corvus at his side (as a partner, friend, soulmate, brother, whatever you see them being).

I love them so much...

The second part of this post is about the last sequence I did for this episode, it is a small one, but one that you could say... brings a "surprise"!

I will posted right away, so stay tuned!

[sunnysidesevenup]

I am having Arlo/Neige thoughts again so. Here is some rambling and headcanons about their relationship!!!

tagging!! @jadelover69 @kirexa @lallopsyou @miriaocs @jovieinramshackle

- Arlo is originally only interested in photography but after talking with Neige so often, he ends up getting into film making. However all of his films end up weirdly sad at first and make Neige cry so he has to ban him from watching them lmao. Eventually he starts making happier things!!

- once they’re adults Neige ends up getting Arlo to do most of his photo shoots, mostly because Arlo prioritizes him being comfortable and happy and other people tend to not really care about his opinions as much.

- they go to the movies literally so often. so many movie nights. Neige is the BIGGEST fan and it’s infectious. they watch stuff and then talk about it for hours afterwards.

- when they first start dating Arlo is initially really nervous about coming off as too intense, and Neige IMMEDIATELY dispels that fear by buying him a bouquet of flowers for three dates in a row.

- they share clothes a lot, and Vil is SO MAD every time he has to see Neige’s sweater 😭

- previously thought to be incapable of hating anyone, Neige hates Arlo’s entire immediate family lmao

- following up on Neige thinking it would be fun to play a villain, he expresses this to Arlo once who says he can’t really picture him like that and would be interested to see if he could pull it off. Cue Neige jokingly acting out a villain character and Arlo immediately becoming so flustered he can’t speak. (He likes every version of Neige, but this one was just unexpected, okay?!)

- Arlo only takes photos of his own volition if he thinks things are beautiful, which usually means he never takes photos of people unless he’s asked to for a job. He doesn’t try to hide this, either.

- Neige invites him out to see cherry blossom trees at some point, and while he’s looking at them he hears a click and turns to see Arlo taking a picture of him. “Sorry, I just wanted to.” Arlo doesn’t realize it’s actually a big deal at first until Neige gets really flustered and happy about it.

- Neige gets asked in an interview once who his ideal partner would be, to which he answers “someone charming, sweet, and passionate!” Arlo immediately breaks a vase in pomefiore and then picks a fight with a third year lmao

- while NRC students tend to get pretty angry and chase out RSA students when they visit, Neige can visit all he wants because he’s with Arlo (who has a reputation similar to the Leech twins, just with a different vibe)

- Occasionally, when Vil is particularly annoyed, he’ll drag along Arlo to his joint shoots in hope that it will distract Neige. This works but also frequently backfires, because Neige then puts in extra effort.

- Neige is VERY public and vocal about how much he loves his boyfriend once they start dating (with Arlo’s permission, of course). He posts a ridiculous amount of pictures with the two of them, and nearly every time he has to talk in an interview he somehow manages to mention how much he loves Arlo 😭

- Arlo definitely cried over this a few times. He goes from never believing anyone at all will love him to having a partner who literally tells every single person at any opportunity how much he cares for him. It takes him a while to process it’s real.

- Despite no one thinking he would be, Arlo is a very, VERY supportive partner. Neige tells him about a charity or cause he’s trying to raise funds for and you KNOW he’s going to stand menacingly behind his boyfriend and glare at anyone who thinks the charity is pointless or stupid. You WILL donate.

- Neige now has scary dog privilege but the scary dog is actually the tiniest piranha merman ever. rip my boy for being 5’2. (He can still bite with razor sharp teeth with force 30 times his body weight though, so like. run?)

[tricksterringmaster]

Reblogging, since I mostly have the same feelings about the ships, although I'm personally not interested in Mulciber one, because people mostly make him into some kind of a Perfect Boyfriend for Severus, and I just don't think it what would actually happen. It can be interesting, though, but I guess it needs more time for fandom to come up with more interesting personality for the character.

Sn*gulus, I think, has many options of exploration, from Regulus being too deep into pureblood mania to see Severus with his origins as something actually worthy to them actually finding common ground because they both can't stand Sirius, with Severus admiring Regulus' status and seeing him as something he desires to become and be close too and Regulus admiring Severus' skills. To be honest, from all of these ships this one seems the most normal and realistic, lol.

As a Sn*rius shipper, absolutely agree on Severus' trauma being quite often extremely underexplored and forgotten in Sn*rius fanfiction. For my taste, people focus too much on passions of their arguments and sometimes downplay Severus' trauma or even use it as a point of sexual awakening for the ship. Sometimes it all boils down to "Hey, I fucked up, I'm kinda sorry-ish, but I want you, and I know you want me, let's go!" and Severus says "no" a couple of times best and then it all nice and well. And I understand a lot of it comes from "old man toxic yaoi" trend and "we are actually both awful people, so let's have our awful relationship", but for me it's just tiresome and unispiring. I genuinely want to see more of Severus saying "no" not because he suppresses his desires to fuck Sirius, but because he is actually disgusted by the idea, and Sirius for him isn't a pretty face, but the face of the person who made his life hell. And I want to see Sirius having to actually question his own motives and to have troubles with it, then to change and do things accordingly to these changes. Like, for me the most interesting thing in this ship that can be done is this enourmous work to build the bridges between them, and if there is no work - for me it doesn't feel real and like them. What is interesting also is that actually most of the authors perfectly understand Severus' trauma and what comes with it, but it rarely translates into work, so I just don't know if it's the problem of depicting it or just desire to focus on/rush into romance and sex more than to focus on realistic character development (sometimes it all takes dozens of chapters, but still turns out unsatisfying; these two are frustrating, and, I guess, sometimes authors just get tired; making this ship go in the healthy direction isn't for the weak, ngl).

Also about Sn*pin, yeah, I think I don't have this idea of Lupin being particularly heterosexual, but what I see is that he is not the most reliable person who is ready to do the work in relationships. People have to do the work themselves to build relationships with him, and he, with all his trauma, easily jumps into the idea that it's easier to remove himself from the situation. It was like this with Harry, it was like this with Tonks. Harry didn't do the work, so Lupin didn't even write to him. Tonks did the work, and she just had to do it again and again, sometimes not without the help of others, because you need to have a whole choir of people backing your opinion for Remus to hear you sometimes. And I just don't see Severus running after him with these loud speeches about how he is actually a good person who deserves love and attention like Tonks did, especially if he is rejected again and again.

And J*verus is just Sn*rius Light for me too. The same trope, but with seriously less depth.

P.S. Sorry for the long comment, these frustrations have been boiling in me for a while. And for whoever reads it: ship whatever you ship, it's all personal feelings and views.

Sev's fandom is so vast that it’s incredibly rewarding to feed my obsessive hyperfocus on him. I discovered that he has many ships, which was surprising but not unpleasant. Snulciber, Snegulus, and Snetunia were the ones that caught my attention the most as a newcomer, especially Snegulus and Snulciber. I love the idea of chaotic Slytherins starting a relationship based on mutual misunderstandings and actually gaining something meaningful from it, but unfortunately, I’ve never found anything along those lines.

What do you think about Severus and Regulus or Severus and Mulciber? Do you think there’s good potential there or not?

I also came across Severus ships with the Marauders, and although I don’t personally like them, I still find them unsatisfying. I hate how, in long fanfics, Severus’s trauma is never properly explored. It feels like he always has to swallow everything that happened to him in favor of the couple’s development. I wish there were more angst, self-hatred, and revulsion, both from Severus and his chosen partner. It feels unrealistic when they don’t allow his character to carry his trauma and deal with it at his own pace. Not to mention the half-hearted apologies I’ve seen from the Marauders in some stories. What do you think about that?

I also came across fem!Severus tags, and I must admit I’m hooked. It’s a shame I haven’t found any good fanfics about it. What’s your opinion on that?

As I said, the fandom and the ideas people have surrounding him are so fascinating to me. There’s so much potential to explore.

The Severus/Mulciber ship is as old as the creation of the continents hahaha. Look, I’ve always been fine with bisexual Severus, especially with that line Rowling mentioned about Severus wanting Lily but also wanting Mulciber. It has potential, and canonically, they got along, and Severus saw something in Mulciber that he desired — however you choose to interpret that. So, honestly, I don’t think it’s a crack ship at all!

I find it curious that people in the new Marauders fandom assume Regulus would have gotten along badly with Severus, when it’s far more likely they had a cordial relationship. Maybe Regulus was even nice to him just to spite his brother. Honestly, I can totally see a scenario where, after Sirius ran away from home, Regulus confronted him at some point when he was bothering Severus — just for the sheer pleasure of annoying him. I’m pretty sure nobody could handle Sirius Black, but if his brother stepped in, Sirius might think twice, simply because Regulus would know all his weaknesses.

It’s not a pairing I’ve thought much about, but hey, why not? It makes a hundred times more sense than Jegulus, and in the end, they were only a year apart, shared the same house, and probably had mutual friends. And Sirius would have had an aneurysm if he ever found out they were or had been involved — which is a bonus for shipping them, hahahahaha.

Severus pairings with any of the Marauders seem problematic to me for obvious reasons, since shipping a victim with their bully isn’t something I’m particularly fond of. That said, I understand Snirius because they have a lot in common while having diametrically opposed personalities. They love in very similar ways, and both have explosive tempers in their own ways, so the dynamic could be really interesting if handled well. My issue with Snirius is that the fics I’ve read don’t really explore Severus’s trauma or the consequences it would have on a relationship. If I were to write about that pairing, it would be a long fic where 60% of the plot is pure drama about how Sirius’s past as Severus’s bully is the main problem in the relationship — because it should be. The few fics I’ve read have left me pretty unsatisfied in that regard because Sirius repents way too quickly, and everything is resolved as if nothing happened, or the issue isn’t even properly addressed. Sorry, but that’s just not realistic.

I can’t see Snupin, though — I have something personal against Lupin, ironically, because he’s the one people have been headcanoning as queer since the dawn of time. But to me, he’s the most straightforwardly, absolutely, and completely heterosexual character because there’s nothing more straight for a man than leaving a pregnant woman and running off. For that reason alone, I can’t see him with anyone but a woman. Sorry, he’s the Ted Mosby of the wizarding world.

And with James, it’s just a no. Like, absolutely not. If you want an enemies-to-lovers dynamic, you already have Sirius, who’s at least mentally unwell and deeply depressed. James and Severus have nothing in common personality-wise — they’re completely incompatible.

[al-luviec]

I got so insanely mad while drawing this

+ closeup and normalness

[demonslayedher]

I finished posting the unabashedly educational Sword Fic.

It includes a detailed (but hopefully beginner-friendly) explanation of all the steps of making a Nichirin blade from a sunny mountain like Mt. Youkou, a touch of swordsmith and metalworker folk lore (including demons), meta about what must make Kimetsu no Yaiba's swordsmithing methods different from real life methods, some character exploration for Haganezuka and his polishing method, vocabulary and additional resources in the chapter notes, and hopefully, an endearing, silly POV character to learn this all through.

[mcytegg]

you can love a character and still admit when they're wrong. i love roshambogames but can acknowledge his flaws (he has none) & can hold him accountable for his wrongdoings (he’s never done anything wrong in his life) & call him out for his actions (which are always correct)

[kukuandkookie]

Sorry I know you worked hard on this analysis and yes it’s a very lovely and moving read and as others have said, it’s really strong and I can feel the passion—

But also…

BERYL AND SAPPHIRE MENTION??? 🥺🤧🥹

As much as I love Link Click, Beryl and Sapphire will truly always have a special space in my heart.

Especially since Link Click already has a huge fandom internationally too, but Beryl and Sapphire is more underrated globally and I tend to gravitate to loving underrated things even more loudly. But also for Link Click, it’s an objectively really strong donghua almost anyone would recommend to anyone else in a near heartbeat, while for Beryl and Sapphire, maybe it’s more flawed objectively in animation etc, but subjectively I always want to recommend it.

Anyway sorry for the Beryl and Sapphire freak out ahaha. I was just reading this and got hit in the face with them and ahhh I love them (they are actually very Shiguang energy in some arcs if people are into that!). 🥺

Also to touch briefly on why the nature of Shiguang’s relationship may be up to interpretation, I think of it as there being three layers to Chinese media in terms of queerness, mostly because censorship in China is a spectrum so it causes some discrepancies:

1) Uncensored (as much as they can be), explicit, canon BL: usually found in novels and audio dramas and manhua—examples include most popular danmei like Mo Dao Zu Shi or Erha

2) Censored but still intended to be BL and is thus canon through queer-coding (could be in the background or in the foreground): most often seen in donghua and cdramas (which unfortunately gets many BL cdramas labelled “bromance” even though they’re trying to go against censors as best as they can)—examples include the Mo Dao Zu Shi donghua adaptation or Wang Qi and Cui Bei in the background of Dalisi Rizhi or The Spirealm, a cdrama adaptation of danmei novel Kaleidoscope of Death

3) Homoerotic media that isn’t technically intended to be BL because we can’t assume the creative crews’ intentions but can be interpreted as such due to what can also be seen as queer-coding but is also still vague (not queer-baiting, because Chinese creators can’t even afford to queer-bait): most often seen in donghua and cdramas; these are what often get called “sworn brothers” in Chinese fandom, referencing a real historical tradition that’s similar to becoming “blood brothers,” and would be actually fair to call a bromance (personally, I like to call it “BL if you squint”)—for example, Link Click or the cdrama adaptation of Hikaru no Go

Censorship is horrible, but in the way humans adapt, it’s caused a unique situation for Chinese media where besides BL stories evolving to focus on genre and plot beyond just romance, relationships can be very very flexible. It’s really interesting to see, and it does make for lots of analysis potential! I think the recent cdrama The Way Home is a great example of this, as it obviously got past censors by being a story about brotherhood and family, yet everyone who watches it has raised an eyebrow at the potential gayness of it all.

That being said, sorry for derailing SLFNSKSH. I love media analyses but I don’t have anything more worthwhile than the insight you’ve already provided to share about Shiguang.

I do have some ideas about queer-coding in Chinese media in general and why real life bodies can’t portray it as much as animated or non-bodies (via audio dramas) can, which is the subject of an academic thing I’ve been trying to work on, but that’s no longer about Shiguang and Link Click itself. 😅

But it’s truly such an interesting thing to talk about it from so many possible angles!

Vortex We Took Every Breath to Follow : Shiguang and Their Companionship Through Life and Beyond

@justfrolikin I hope this will be a suitable reply to the question you asked; what I think about the nature of the bond Shiguang share.

First, a few words from me :

Even though I love engaging in fandom spaces and enjoy ship fanarts, fanfictions etc, till today my heart truly belongs to a very few ships. Shiguang is one of them. As long as one is not blinded by homophobic delusions, I enjoy discussing any kind of interpretation of my OTPs, be it 'Platonic', just friends™, romantic or whatever. But I have a fixed category (which very ironically is not quite fixed if you read the whole discussion) that fulfills my idea of true love.

for me, Love is a dialogic discourse with your existential other.

The terms I used are very loaded terms; 'dialogue' and 'other' come from the Bakhtinian philosophy of ethics, 'discourse' is a Foucauldian term and existentialism has a long postmodern and post-structuralist philosophical tradition. The reason I LOVE Link Click is because of their postmodern lens and the narratives of the characters, not only the protagonists fundamentally question what is the real purpose of life? Why do human bondings matter? The answers reside in the simplest vignette of everyday life. Grief, trauma, hope, memory, reconciliation, remembrance, love, family - these are the central themes of Link Click. Lu Guang and Cheng Xiaoshi's separate existence and their interpersonal dialogue thematically and structurally complements the main ethos of Link Click.

When asked about the nature of Shiguang relationship Director Li Haoling answered : 是生死之交咯! (Shì shēngsǐ zhī jiāo gē! - It's a life and death relationship!)

source :

Fate, mortality, death, remembrance are the building blocks of their relationship as we perceive it.

Now let me talk about something. When I first watched Link Click on September 17th, 2024, the first Intertexual connection I drew was with another text called Waiting for Godot by Samuel Beckett. Funnily enough, early in this year I wrote a crossover Hamlet adaptation (and won the second prize in a competition hehe) interweaving a few elements from Godot. Time loop, fragmentation of time and space, panopticon with no exit - all these elements featured in that. I recommend Waiting for Godot to you all, you'll understand why it resonates so much with Link Click.

Now,

Lu Guang is a person who is shown to be a character who has some mysterious powers to manipulate time and space. Even from the very beginning, he has this dominant (and sometimes seemingly monologic that feels problematic to new viewers) voice with which he guides Cheng Xiaoshi through the dives. He is apparently headstrong and has acquired all kinds of praises ™ like hypocrite, selfish (lol) and what not. Again quoting Li Haoling "Lu Guang is a complex and delicate character." But after the release of 'The Eye' and 'The Lull', I think we are pretty sure that Lu Guang has been trapped in a rewind, like a Sisyphus figure. A friend of mine told me the other day, "Superficially, Lu Guang is presented as an archetypal strategist, the one who guides, the one who keeps things in control, but in reality, he has no agency whatsoever." Lu Guang lacks the fundamental agency in life (we all do but we have to accept it one day or other) and that mortifying realisation comes to him with the death of Cheng Xiaoshi. What is unacceptable to him is the most obvious outcome of a mortal life : death. Lu Guang's tragic flaw stems from this unacceptability of Cheng Xiaoshi's death and him attempting to manipulate time, very Sisyphus of him. Till now, we are yet to see Lu Guang's character traits without any reference to Cheng Xiaoshi but this does not reduce his character depth. His denial is actually very delicious ( I almost wrote a paper on this, taking the popular sci-fi trope of time travel as an allegorical and symbolic means of resistance and subversion but anyway, it's not relevant here)

Lu Guang's character makes me fall in love with the song Flash by Gorilla Attack. It is from Lu Guang's character, no one can convince me otherwise.

Just a loop A bored 'n loop Should I do this now 'til the end? Into the story As just an extra You are the reason I live But you don't remember me? Oh, can I be with you?

And

The only thing that I got, just like a little lamp I gotta go in one-way smoke Resist the lifeless scenario Become the person The person I wished for that day The room like a coffin, too bright A groove that I lost faraway Blanket, I need a blanket Not a synthetic one Notice the regret engraved so hard

And the line that keeps coming back as a haunting refrain :

Flash me, flash me Gotta get the power to rewrite I just wanna deny, I just wanna rewrite, yeah

Every time I listen to this song, these lines send a chill down my spine. But Lu Guang's obsession with 'rewrite' echoes with what my professor said to be Hamlet's constant meta-theatrical discomfort with the script, role, play he has been provided with. He does not comply with the playwright's words. Apart from time and death, I think Lu Guang's most wretched enemy is Li Haoling himself. That's why he constantly wants to 'rewrite', but all he has got till now is 'rewind'. Now whether his 'urge to rewrite' will turn into a successful 'write back' is the central play of the plot we are looking up to. What is my personal opinion on the ending?

The ending which is so dryly plausible in our real world is Lu Guang accepting his defeat and carries within him the remembrance of Cheng Xiaoshi.

But my question is, my brother in Buddhism Li Haoling, why the fuck would I watch your Link Click to know that death is the node that can't be changed? Is it not the given fact? It's a cultural text, however modern or postmodern a text might be, it ultimately uses the plot to defamiliarise and convey well known concepts and emotions with a critical engagement. A plot is just a vehicle, a crucial one, to help us have a greater and more nuanced vision of life. Due to non-linear narrative and active subversion of chronotope, complex plot will have plot twists and cliffhangers BUT it still has to perform a crucial, non negotiable role - the arc. If the beginning point and the ending point have the same temperaments, what kind of significance will it even achieve?

If Lu Guang can't write back at the end of Link Click, the structure of the plot will be like this :

1. Exposition, rising action : Cheng Xiaoshi died at the very beginning, Lu Guang is fucked.

2. Climactic stage : shit and shit and complex quantum physics, hallelujah hot villains, 'I am a great writer I can kill any character TeeeHeeeeHeeee', backstories, parallel narratives, foil characters have no relevance and rendered completely meaningless,

3. Falling action and resolution : Cheng Xiaoshi is still dead to the very ending, Lu Guang is still fucked.

No catharsis, not a milimeter of displacement from the beginning point.

What is the fucking point?! From the perspective of a writer and a critical reader, I can say it will be a sheer waste of money, time and potential. I would rather watch... whatever.

The friend I mentioned before told me, " You know why Emma or Chen Bin die? They had to die. Emma had a loving family, she got the job she wanted, she had her hardships but she didn't begin with tragedy. And when tragedy came, she was so not ready to negotiate the problem and considered self-annihilation as her first choice. She actively erased the possibility of dialogue with herself. If Emma were an orphan, struggling with unemployment and other hardships from the very beginning, I don't think Emma would die that easily. Emma was denied the conflict of life which very ironically tests human agency itself."

And for Chen Bin...during my first watch, the moment I saw him my instincts told me he was going to die. He had a loving wife, a daughter, he loved her, she accepted the proposal and they married soon. Conflict where? To bring his story to a full circle, he had to die.

I can say every parallel story in Link Click can be judged from this lens. People who had a point of conflict (the noodle lesbians, the couple who lost their child, Xu Shanshan, that old man) engaged in dialogue with themselves, others and social forces ultimately got a happy ending. Even in the earthquake episode, it's a story of reconciliation with the past, the man got his mother's photos and it's plausible and satisfying (and bittersweet resolution). He got his (absent) father back.

Another thing, we as a fandom have a collective amnesia about....*drumrolls* Cheng Xiaoshi's character! Congratulations! The man, the freaking protagonist just dies at the beginning, accepts his death, and remains dead. Doomed yaoi allegations are just nonsense. Link Click is doomed if Shiguang doesn't get a happy ending. Link Click is NOT a dramatic monologue told from Lu Guang's perspective, engaging with his perpetual trance of melancholy and him holding onto Cheng Xiaoshi's memento mori.

If Lu Guang is attempting to write back to Li Haoling and the doomed yaoi allegations, Cheng is attempting to write back to Lu Guang himself, not in confirming his own death, but saving Lu Guang from the loop of eternity and by being together. Cheng Xiaoshi is always seen to be guided by Lu Guang, he has to witness repercussions of his actions. Even with all this knowledge I will say, Cheng Xiaoshi has way more agency than Lu Guang has. During my first watch, I could feel Lu Guang has this barrier of guilt and unsettled emotions wrapped around him which denies Cheng Xiaoshi access into the deepest core of his subjectivity. Even though he achingly wishes to be together with Cheng Xiaoshi, the burden of his past actions and PTSD holds him back from being together with him, as if his existence is antithetical to Cheng Xiaoshi's existence. Cheng Xiaoshi is that glitch in the matrix that messes up Lu Guang's plans of withdrawing himself from Cheng Xiaoshi. Cheng Xiaoshi should not listen to everything Lu Guang orders. In season 1, he mostly conforms to Lu Guang's ideals, but in season 2, when Lu Guang was hospitalised, Cheng Xiaoshi became more active and you could tell a layer of barrier melted away. He was less of a stone statue, showed more emotions (the S2ep1 lmao when he said "would you prefer if I die?" abhimaan we call it), then the unique high five that feels like Lu Guang accepting Cheng Xiaoshi's proposal or something :

(LMAO ignore my comments, but what I said is true)

My point is, Cheng Xiaoshi is Lu Guang's existential other and vice versa. They cannot live without each other. They cannot exist without each other. If one dies, the other will die and I want them living happily ever after in heaven. Cause 'Break' clearly depicts them as soulmates. I personally take Break as the ultimate canonical ending

Do you see? each of them has one wing missing, meaning that it's their cumulative effort that will make them fly successfully. FYI, there is another Haoling directed, Haoliners Animation League animated canonical queer donghua called 'Beryl and Sapphire'. A separate episode, episode 13 just explores this 'one wing soulmate trope'.

Now take them as friends, platonic friends with no erotic feelings, pure familial feelings or whatever, they are like Yin and Yang, like Shiv and Shakti, and Yin changes to Yang and Yang changes to Yin actively as they interact. You will have a hard time pointing out who is who. I have watched TGCF and Beryl and Sapphire and a tiny bit of Spiritpact - all three directed by Li Haoling and I am well aware of his narrative strategy to represent soulmates and Link Click seems to be the one of the greatest (and my favourite) product of that genius mind.

I began with team Lu Guang cause he is a scorpio, I understand him, his birthday almost coincides with mine, we share some identical issues. But the fandom's often yeeting Cheng Xiaoshi out of the narrative phenomenon brought back my due attention to him. Is Cheng Xiaoshi so willing to be doomed? Does he not yearn to be with Lu Guang? Let me whisper to your ear...he yearns for him too.

so he

does understand that the person who dies...dies, death affects them the least who dies, it's the people, the family and loved ones who actually suffer. This man will leave his Lu Guang on his own volition? eh.

Also I wanna talk about Link Click's strategy of deliberate misdirection. The first and second seasons are so deliberately crafted (manipulation of narrative you can say) to actively erase Lu Guang's subjectivity and nuance. We are just denied access his perspective. He is mysterious but not that aligns itself with a viewer's emotions. In fact, during my recent re-watch, I felt "wtf Lu Guang, why are you interacting with Cheng Xiaoshi like a straight dudebro?" He is a menace, the kind I usually don't like. But there also seemed to be a critical undercurrent which I couldn't really grasp, but it was surely there. It was adding up to my increasing discomfort and made me question - "was it just my wishful projection? they do not share that bond at all." I was so pissed at that thought that I almost decided I am not gonna abandon Link Click. BUT BRO, BRO

'The Eye' and 'Lull' just blew my mind. I was not that affected by Cheng Xiaoshi's corpse advertisement agenda (that corpse is drawing people's attention who is suddenly aware of Yingdu release, great tactic, Haoling) what pleasantly brought me out of despair is Lu Guang's love for Cheng Xiaoshi was acknowledged in these songs. You will read between the lines on your own in season 1 and season 2 if you have that critical method to engage with a cultural text, but the silencing narrative was also very prominent. I very much felt that the Shiguang story is actually the central action, and not the creative sci-fi archtexual exercise of genres, which again, is just the vehicle. But The Eye and Lull focus upon them, them and them. Their emotions are acknowledged, they are no longer behind the veils of symbolism, parallel narratives, intense defamiliarisation; their emotional dialogue now not only demands a voice of their own but also has the potential to reclaim the central part of the stage as they struggle and negotiate power and agency. And I am here for it.

@guangshi-091305 I present to you my rubbish.

[gale-dekarios]

im not saying all of my posts are bangers, but its hard not to notice that posts i make about other companions easily break 100 notes no sweat, with the upper limit breaching 1k, to outliers of well over 4k, but whenever it's about wyll, it's crickets. i dunno, youre allowed to interact with anything you want to, and this isnt a call to reblog from me, specifically, this is the same for a lot of wyll orientated posts ive seen, but its just odd. and by odd i mean racist.

[cadaverskey]

if i'm being entirely honest i find the term "spiritual psychosis" annoying at best. it makes me feel as though i, as someone with schizoaffective disorder, need to work extra hard to "prove" my spiritual beliefs are valid.

here's the thing. my spirituality has always been and will always be flavored and colored by being schizoaffective. even when i was an atheist i could not untangle the two. there's never going to be a way for me to know where the line is drawn between my spiritualism and my psychosis. for example i will probably never shake the idea that i died and was resurrected, and that event holds SIGNIFICANT spiritual meaning for me, even on antipsychotics, even when i can recognize that yes, it's probably the remains of a delusion.

so please tell me, why is it anyone else's business if i incorporate that into my religious practices? it harms no one and gives me one more reason to rejoice. if it started causing actual problems, putting me in danger, causing me distress, bringing along disorganized thinking or anything of the sort, that's when it would be time for me to get help. but really and truly i would not want random people im not close with to tell me to get that help, especially if their only clues into my mental state come from my spiritual practices. i am not a dog to be taken to the vet. sometimes people are psychotic and we exist in your communities and we have religious beliefs and you have GOT to suck it up and allow space for us, however our conditions affect us and our practices.

it's also just. buries my face in my hands. you can just say psychosis, you don't need a special term for it. again it just makes me feel like i'm being singled out and not being taken seriously because there's a long LONG history of psychotic/schizospec people having our mental illnesses used as reason to disregard us. please just mind your business.

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

[dangerous-advantage]

(Image description below 'read more' line.)

[Image ID: A four-by-four alignment chart on a white background with text descriptions to the left and to the top of the squares.

The top left description reads, "seems like they'd be good at parenting." The top right description reads, "seems like they'd be bad at parenting."

Then, from the top down, to the left of the squares, the other set of descriptions reads: "excellent child rearing instincts," and "never trust them with a child in your life."

Each of the four squares contains an image of a different character. At the top left is an image of Lan Wangji of the Mo Dao Zu Shi donghua. He sits between the descriptors "seems like they'd be good at parenting," and "excellent child rearing instincts."

In the top right square sits an image of Wei Wuxian, also of the Mo Dao Zu Shi donghua. He sits between the junction of "seems like they'd be bad at parenting" and "excellent child rearing instincts."

In the bottom left square is an image of Xie Lian from the Tian Guan Ci Fu manhua. He occupies the square with the captions, "seems like they'd be good at parenting" and "never trust them with a child in your life."

Finally, in the bottom left square, sits an image of Hua Cheng from the Tian Guan Ci Fu manhua. He occupies the junction between "seems like they'd be bad at parenting" and "never trust them with a child in your life". /End ID]

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[breadandblankets]

thinking about Daniel figuring out what makes Armand eat people he interacts with and then beginning to deliberately mark people for death

And the reasons just keep getting flimsier and flimsier, like it starts with "serial rapist" and ends with "cut me off at the grocery store". like, he definitely just wants to kill people but for the longest time he feels like he has to justify Why he wants them dead

at the end of the chase, just before Armand wipes him, he is just fully like this person has done nothing wrong but i want to see Armand eat them so they will die and thats all the justification he needs.

and then after he gets wiped he doesn't remember the chase, and reverts back to some semblance of his old morality, with some hang ups smoothed out

Anyway I think as the memories come back Daniels at first kinda horrified?? But then is like well I mean…. Who cares really, people will die at any time, hes just speeding it along. Old man nihilism ya know?

[hecksupremechips]

Really into the episode of Ouran where this girl confesses her love to Mori but he doesn’t feel the same because he’s into Honey and the girl’s reaction is just like YIPPEE I LOVE YAOI THATS SO COOL FOR YOU YAY 🥰